
A TREATISE ON ETCHING.
A TREATISE
TRANSLATOR'S PREFACE.
INTRODUCTORY CHAPTER. - THE TECHNICAL ELEMENTS OF ETCHING.
DESCRIPTION OF THE PLATES.
MY DEAR MONSIEUR LALANNE,
INTRODUCTION.
A TREATISE ON ETCHING.
CHAPTER I. - DEFINITION AND CHARACTER OF ETCHING.
CHAPTER II. - TOOLS AND MATERIALS.—PREPARING THE PLATE.—DRAWING ON THE PLATE WITH THE NEEDLE.
This slim volume offers a direct, step‑by‑step tour through the art of copper‑plate etching, guided by a French master whose landscapes once set the standard for the medium. The text is paired with a series of finely reproduced plates that illustrate each stage, from preparing the ground to drawing the design and handling acid. Translated with care, the work retains the original’s clarity while adding a brief introductory essay that frames the craft for today’s newcomers.
Beyond the core lessons, the editor’s notes supply practical advice for sourcing or even making the necessary tools when professional suppliers are out of reach. Readers will appreciate the straightforward language that demystifies the “little tricks” seasoned etchers take for granted, allowing beginners to focus on technique before worrying about artistic theory. Altogether, the treatise serves both as a hands‑on manual and a lasting reference for anyone eager to explore the fundamentals of etching.
Language
en
Duration
~3 hours (212K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Harry Lamé and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Sep 17, 2010
Rights
Public domain in the USA.
Subjects

1827–1886
Best known for atmospheric etchings and charcoal drawings, this 19th-century French artist had a gift for turning city streets and quiet landscapes into scenes full of light and mood. His prints of Paris and other European views helped make him one of the admired printmakers of his time.
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