A history of Italian literature

audiobook

A history of Italian literature

by Richard Garnett

EN·~12 hours·29 chapters

Chapters

29 total
1

PREFACE

9:59
2

CHAPTER I THE BEGINNINGS OF ITALIAN LITERATURE

18:41
3

CHAPTER II THE EARLY ITALIAN LYRIC

18:51
4

CHAPTER III DANTE’S LIFE AND MINOR WRITINGS

26:47
5

CHAPTER IV THE DIVINE COMEDY

21:47
6

CHAPTER V PETRARCH AS MAN OF LETTERS

21:54
7

CHAPTER VI PETRARCH AND LAURA

25:32
8

CHAPTER VII BOCCACCIO

26:30
9

CHAPTER VIII THE FIFTEENTH CENTURY

22:43
10

CHAPTER IX THE POETICAL RENAISSANCE OF THE FIFTEENTH CENTURY

26:45

Description

The opening frames Italian literature as a brilliant, though relatively young, continuation of the ancient Latin tradition. It emphasizes how, unlike other national canons, Italy entered the scene already steeped in classical learning, skipping a rough, formative infancy. This sets the tone for a survey that treats poetry, prose, and drama not as isolated feats but as part of a broader European conversation.

The author weaves together the stories of early troubadours, the flourishing of Petrarch’s sonnets, and the vibrant humanist debates that spilled from the courts of Florence and Venice. By constantly referencing the Latin works of scholars who chose the scholarly tongue over the vernacular, the narrative shows how the literary pulse of Italy resonated far beyond its borders. Listeners will come away with a sense of why Italy became a cultural beacon, even before its visual arts and music took center stage.

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Details

Language

en

Duration

~12 hours (737K characters)

Publisher of text edition

Project Gutenberg

Credits

Andrés V. Galia and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2021-02-12

Rights

Public domain in the USA.

About the author

Richard Garnett

Richard Garnett

1835–1906

A lifelong British Museum librarian who also wrote poetry, biography, criticism, and imaginative fiction, he brought a scholar’s curiosity and a storyteller’s touch to everything he did. His work moves easily between literary history and playful invention, which helps explain why he still feels surprisingly fresh.

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