
The Library Series
PREFACE
ADDRESS TO THE LIBRARY ASSOCIATION
THE PRINTING OF THE BRITISH MUSEUM CATALOGUE
THE PAST, PRESENT, AND FUTURE OF THE BRITISH MUSEUM CATALOGUE
THE BRITISH MUSEUM CATALOGUE AS THE BASIS OF A UNIVERSAL CATALOGUE
INTRODUCTION OF EUROPEAN PRINTING INTO THE EAST
PARAGUAYAN AND ARGENTINE BIBLIOGRAPHY
THE EARLY ITALIAN BOOK TRADE
SOME BOOK-HUNTERS OF THE SEVENTEENTH CENTURY
The volume brings together a handful of essays that explore the practical and intellectual foundations of modern libraries. Written by experienced librarians and scholars, the pieces examine everything from the origins and current state of free public libraries, to the architectural considerations of library buildings, to the economics of book pricing and the day‑to‑day challenges of library administration. Though assembled over many years, the contributions share a common aim: to show how systematic, scientific methods can improve the work of keeping and sharing collections.
In particular, the author devotes considerable attention to the role of printing in the creation of library catalogues, using the British Museum’s long‑running catalogue project as a vivid example. The essays trace early hesitations, the practical steps taken to produce printed bibliographies, and the impact of government support on the pace of progress. Listeners who enjoy the history of information organization, the evolution of library services, or the interplay between technology and scholarship will find this collection both informative and thought‑provoking.
Language
en
Duration
~9 hours (519K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by MWS, Adrian Mastronardi, Lisa Reigel, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive).
Release date
2016-09-28
Rights
Public domain in the USA.

1835–1906
A lifelong British Museum librarian who also wrote poetry, biography, criticism, and imaginative fiction, he brought a scholar’s curiosity and a storyteller’s touch to everything he did. His work moves easily between literary history and playful invention, which helps explain why he still feels surprisingly fresh.
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