A Catalogue of Sculpture in the Department of Greek and Roman Antiquities, British Museum, Volume 1 (of 2)

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A Catalogue of Sculpture in the Department of Greek and Roman Antiquities, British Museum, Volume 1 (of 2)

by A. H. (Arthur Hamilton) Smith

EN·~11 hours·64 chapters

Chapters

64 total

Transcriber's Note

1:13

PREFACE.

1:15

PART I.—THE ARCHAIC PERIOD.

0:27

PART II.—MYRON AND PHEIDIAS.

0:23

PART III.—THE SUCCESSORS OF PHEIDIAS.

0:59

LIST OF ILLUSTRATIONS

2:48

INTRODUCTION.

17:25

SCULPTURES FROM MYCENAE.

6:17

SCULPTURES FROM BRANCHIDAE.

13:39

SCULPTURES FROM LYDIA.

1:02
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Description

A meticulously compiled reference, this volume surveys the British Museum’s collection of Archaic Greek and early Roman sculpture. Organized by region and site—from Mycenae and Phigaleia to the Parthenon’s famed pediments—the catalogue blends classic scholarship with the latest research, offering concise entries that note provenance, stylistic features, and comparative observations. Detailed illustrations accompany each description, while side notes clarify technical terms, Greek transliterations, and textual corrections, making the work both authoritative and accessible.

Designed for students, curators, and enthusiasts of ancient art, the book also dedicates a significant section to Greek reliefs, outlining the main interpretive debates surrounding their subjects. Its clear layout, comprehensive tables of contents, and helpful abbreviations guide readers through a rich visual and scholarly landscape, inviting deeper exploration of the sculptural heritage preserved in the museum’s halls.

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Details

Language

en

Duration

~11 hours (641K characters)

Publisher of text edition

Project Gutenberg

Release date

Sep 28, 2011

Rights

Public domain in the USA.

About the author

AH

A. H. (Arthur Hamilton) Smith

1860–1941

A leading figure in classical archaeology at the British Museum, this scholar helped shape how Greek and Roman antiquities were studied, catalogued, and presented in the early 20th century. His work combined close attention to objects with a curator’s eye for making the ancient world legible to modern readers.

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