Who Ate the Pink Sweetmeat? And Other Christmas Stories

audiobook

Who Ate the Pink Sweetmeat? And Other Christmas Stories

by Susan Coolidge, Mary Hartwell Catherwood, Kate Upson Clark, Lady Dunboyne, Edward Everett Hale, F. L. Stealey

EN·~1 hours·8 chapters

Chapters

8 total

THE WHIZZER LOOKED PITIFUL OUT OF HIS EYES AT MRAR.

0:03

Who Ate the Pink Sweetmeat? By SUSAN COOLIDGE AND OTHER CHRISTMAS STORIES

0:30

WHO ATE THE PINK SWEETMEAT?

25:22

THE WHIZZER.

23:22

THE PATRONCITO’S CHRISTMAS.

16:24

CHERRY PIE.

10:14

BERTIE’S RIDE.

30:16

ASAPH SHEAFE’S CHRISTMAS.

9:35

Description

A cozy collection of turn‑of‑the‑century Christmas tales invites listeners to slip into the soft glow of holiday evenings. Each story is stitched together with gentle humor, warm sentiment and a touch of the unexpected, making the anthology feel like a well‑worn stocking hung by the fire. The varied voices of 19th‑century writers create a tapestry of seasonal charm that feels both nostalgic and fresh.

One standout vignette opens in a tiny village shop where a dwindling stock of stockings begins to talk after the shutters close. The gray, white, and blue pairs argue, hope, and dream of being chosen for a child’s Christmas gift, their playful banter revealing both the scarcity of the season and the simple yearning for a place in the holiday ritual. The story’s quiet magic lies in the way ordinary objects are given life, inviting listeners to imagine the hidden conversations of the things that surround us.

The anthology also offers a Mexican Christmas scene, a memory built around a cherry pie, a gentle horse‑ride through frosty lanes, and several other picturesque moments. These pieces share a common thread of kindness, community, and the soft wonder that accompanies winter celebrations. Together they form a perfect listening companion for anyone seeking a modest, heartfelt taste of holiday storytelling.

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Details

Language

en

Duration

~1 hours (111K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell, Jim Dishington and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2015-04-20

Rights

Public domain in the USA.

About the authors

Susan Coolidge

Susan Coolidge

1835–1905

Beloved for creating spirited girls who felt vivid and real, this 19th-century American writer is best remembered for the classic novel What Katy Did. Writing as Susan Coolidge, she brought warmth, humor, and everyday family life to generations of young readers.

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Mary Hartwell Catherwood

Mary Hartwell Catherwood

1847–1902

Best known for vivid historical romances and short stories, this American writer brought the Midwest and early French colonial America to life with energy and feeling. She also wrote poetry and published under both her own name and the playful pen name "Lewtrah."

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Kate Upson Clark

Kate Upson Clark

1851–1935

A lively American writer and editor, she moved easily between magazines, newspapers, and books, bringing a warm, observant voice to both journalism and fiction. Her career stretched from the late 19th century into the early 20th, with work appearing in major periodicals of her day.

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Lady Dunboyne

Lady Dunboyne

1842–1919

A Victorian novelist and short-story writer with a gift for domestic drama, family feeling, and gentle moral tension. Writing as Lady Dunboyne and Marion Clifford-Butler, she published fiction that found readers in late 19th-century Britain.

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Edward Everett Hale

Edward Everett Hale

1822–1909

Best known for the patriotic Civil War tale The Man Without a Country, this Boston writer also spent decades as a Unitarian minister, editor, and public-minded reformer. His work mixed storytelling, history, and practical idealism in a way that made him a notable voice in 19th-century American life.

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FL

F. L. Stealey

A little-known 19th-century writer whose work appeared in popular story collections of the 1880s, with tales aimed at young readers and holiday audiences. Though biographical details are scarce, the surviving record suggests a contributor to the warm, moral storytelling style common in that era.

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