What Every Singer Should Know

audiobook

What Every Singer Should Know

by Millie Ryan

EN·~1 hours·17 chapters

Chapters

17 total
1

INTRODUCTION.

1:21
2

"IS IT WORTH MY WHILE TO HAVE MY VOICE CULTIVATED?"

5:38
3

"CAN I BECOME A GRAND OPERA SINGER?"

4:02
4

"AT WHAT AGE SHALL I TAKE UP THE STUDY OF VOICE CULTURE?"

9:11
5

SINGING LESSONS AS A HEALTH CULTURE.

1:46
6

ADVICE TO PARENTS.

2:50
7

"IS IT NECESSARY TO GO ABROAD TO STUDY?"

5:42
8

CHORUS SINGING.

1:27
9

STAGE FRIGHT.

5:01
10

THE ACCOMPANIST.

2:20

Description

This guide speaks directly to aspiring singers, offering a heartfelt conversation rather than a strict technical manual. It gathers decades of experience into clear, simple hints about confidence, daily discipline, and the mindset needed to nurture a natural voice. Readers will find encouragement to overcome obstacles, whether a cramped rehearsal space or a busy schedule, and to view singing as a gift worth cultivating.

Beyond pure mechanics, the author stresses the importance of soul, intelligence, and personal expression, urging beginners to imitate strong models while gradually finding their own unique tone. Practical advice on consistent practice, handling temper, and realistic expectations blends with inspirational anecdotes from historic performers. It also addresses common worries about career prospects, reminding singers that dedication and self‑belief often open doors beyond the classroom. The result is a warm, approachable companion for anyone contemplating the study of voice culture.

Collections

Browse all

Details

Language

en

Duration

~1 hours (79K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

2010-05-30

Rights

Public domain in the USA.

About the author

MR

Millie Ryan

Best known for a practical early-20th-century guide for singers, this author wrote in a direct, encouraging voice aimed at students and aspiring performers. Her surviving work still speaks to readers interested in voice training and musical discipline.

View all books

You may also like