Wagner's "Tristan und Isolde": An Essay on the Wagnerian Drama

audiobook

Wagner's "Tristan und Isolde": An Essay on the Wagnerian Drama

by George Ainslie Hight

EN·~5 hours·16 chapters

Chapters

16 total

WAGNER'S "TRISTAN UND ISOLDE"

0:35

WAGNER'S "TRISTAN UND ISOLDE" - AN ESSAY ON THE WAGNERIAN DRAMA - BY GEORGE AINSLIE HIGHT - PREFACE

2:14

CHAPTER I - ON WAGNER CRITICISM

20:09

CHAPTER II - WAGNER AS MAN

26:35

CHAPTER III - Wagner's Theoretical Writings

44:25

CHAPTER IV - THE ROOTS OF GERMAN MUSIC

46:36

CHAPTER V - THE WAGNERIAN DRAMA AND ITS ANTECEDENTS

18:35

CHAPTER VI - THE EARLIER VERSIONS OF THE TRISTAN MYTH

14:31

CHAPTER VII - WAGNER'S CONCEPTION OF THE TRISTAN MYTHOS

19:23

CHAPTER VIII - ON CERTAIN OBJECTIONS TO THE WAGNERIAN DRAMA

13:55

Description

This essay offers a gentle gateway into the world of Wagner’s revolutionary drama, focusing on the iconic opera that reshaped the musical landscape. It starts by guiding readers away from the familiar conventions of Italian and French opera, inviting them to hear the music as a profound expression of human longing rather than just theatrical spectacle. By comparing Wagner’s ideas to classical literature and philosophy, the author helps newcomers sense why the composer’s work feels both timeless and startlingly original.

The later chapters unpack the mythic roots of the Tristan legend, explore Wagner’s own writings, and examine how his concepts of “matter and form” shape the opera’s soaring melodies and dramatic intensity. The discussion stays clear of spoilers, concentrating instead on the artistic intentions and the structural innovations that make the piece a landmark of expressive music. Listeners will come away with a deeper appreciation for the passions that drive Wagner’s masterpiece, ready to hear the opera with fresh ears.

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Details

Language

en

Duration

~5 hours (317K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-04-01

Rights

Public domain in the USA.

About the author

GA

George Ainslie Hight

1851–1937

Known for bringing old Icelandic stories and Wagner’s music dramas within easier reach, this English writer moved comfortably between translation, criticism, and philosophy. His books suggest a wide-ranging mind with a taste for difficult subjects and classic works.

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