Vignettes of Manhattan; Outlines in Local Color

audiobook

Vignettes of Manhattan; Outlines in Local Color

by Brander Matthews

EN·~8 hours·26 chapters

Chapters

26 total

VIGNETTES OF MANHATTAN: OUTLINES IN LOCAL COLOR

2:15

INTRODUCTION

9:39

VIGNETTES OF MANHATTAN - IN THE LITTLE CHURCH DOWN THE STREET

10:31

THE TWENTY-NINTH OF FEBRUARY

11:49

AT A PRIVATE VIEW

18:41

SPRING IN A SIDE STREET

13:48

A DECORATION-DAY REVERY

16:44

IN SEARCH OF LOCAL COLOR

20:52

BEFORE THE BREAK OF DAY

18:45

A MIDSUMMER MIDNIGHT

27:57

Description

A dozen compact sketches trace a year in Manhattan, each one anchored to a month and the unique mood that the city adopts as seasons turn. From the bustling spring street fairs to the hushed, fog‑filled evenings of winter, the pieces capture the sounds, scents, and fleeting encounters that define everyday life on the island. The writer treats the metropolis less as a backdrop and more as a living character, letting readers hear the clatter of horse‑drawn cabs, the chatter of market stalls, and the distant toll of church bells.

The tone is intimate and observant, offering a gentle invitation to notice the small moments that often go unnoticed. Though rooted in the 1890s, the vignettes feel timeless, revealing the personalities, neighborhoods, and quirks that still echo through modern streets. Listeners will find a portrait of a city in flux, rendered with affection and a keen eye for detail, making the old New York both familiar and freshly vivid.

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Details

Language

en

Duration

~8 hours (486K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

2012-02-18

Rights

Public domain in the USA.

About the author

Brander Matthews

Brander Matthews

1852–1929

A lively voice in American letters, he helped make theater a serious subject of study at the university level while also writing fiction, criticism, and essays. His work sits at the crossroads of literary culture, performance, and education in the late 19th and early 20th centuries.

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