
audiobook
TRANSCRIBER’S NOTE
PLAYWRIGHTS ON PLAYMAKING
PREFATORY NOTE
I PLAYWRIGHTS ON PLAYMAKING - I
II UNDRAMATIC CRITICISM - I
III OLD PLAYS AND NEW PLAYGOERS - I
IV TRAGEDIES WITH HAPPY ENDINGS - I
V ON THE ADVANTAGE OF HAVING A PATTERN - I
VI DID SHAKSPERE WRITE PLAYS TO FIT HIS ACTORS? - I
VII STRANGE SHAKSPERIAN PERFORMANCES - I
A seasoned scholar of the stage shares the distilled wisdom of a lifetime spent watching, teaching, and dissecting drama. In a series of thoughtful essays, he outlines why theater remains a timeless art, guided by enduring laws that shift only in their cultural expression. The writer’s reflections feel like a mentor’s quiet conversation, inviting listeners to glimpse the invisible contracts between playwright, performer, and audience.
The collection presents five core ideas: the immutable nature of dramatic art, the role of conventions—both permanent and fleeting—and the playwright’s perpetual dialogue with actors and spectators. It also explores how attention economy shapes a play’s impact and why conflict is the heartbeat of drama. Presented with clear examples from Shakespeare to Molière and modern playwrights, the book offers practical insight for anyone curious about the mechanics that make a story come alive onstage.
Language
en
Duration
~6 hours (361K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New York: Charles Scribner's Sons, 1923.
Credits
Charlene Taylor, John Campbell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Jan 8, 2024
Rights
Public domain in the USA.

1852–1929
A lively man of letters who helped make theater a serious subject of study in American universities, he moved easily between criticism, fiction, and teaching. His work captures the literary energy of New York in the late nineteenth and early twentieth centuries.
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