Parts of Speech: Essays on English

audiobook

Parts of Speech: Essays on English

by Brander Matthews

EN·~7 hours·16 chapters

Chapters

16 total
1

PARTS OF SPEECH ESSAYS ON ENGLISH

0:45
2

PREFATORY NOTE

2:38
3

I THE STOCK THAT SPEAKS THE LANGUAGE

32:29
4

II THE FUTURE OF THE LANGUAGE

20:22
5

IIITHE ENGLISH LANGUAGE IN THE UNITED STATES

41:56
6

IV THE LANGUAGE IN GREAT BRITAIN

18:47
7

V AMERICANISMS ONCE MORE

37:08
8

VI NEW WORDS AND OLD

47:37
9

VII THE NATURALIZATION OF FOREIGN WORDS

24:55
10

VIIITHE FUNCTION OF SLANG

36:44

Description

A seasoned professor brings together a decade’s worth of essays that examine English not as a sterile system but as the shared property of its speakers. By looking back to King Alfred’s early translations, he shows how literature gave the language a sense of self‑hood, binding generations together. The voice is literary rather than technical, inviting listeners to feel the pulse of a tongue that lives and grows with its people.

The collection turns to everyday concerns—spelling reform, the rise of Americanisms, the absorption of foreign words, the role of slang, and the quirks of place‑name poetry. Each piece offers clear examples and lively commentary, encouraging the audience to notice how usage shifts and why simplicity can enhance efficiency without forcing radical change. It’s a thoughtful, accessible tour of English that rewards anyone curious about the words they speak.

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Details

Language

en

Duration

~7 hours (408K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: Charles Scribner's Sons, 1901.

Credits

Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2022-02-26

Rights

Public domain in the USA.

About the author

Brander Matthews

Brander Matthews

1852–1929

A lively voice in American letters, he helped make theater a serious subject of study at the university level while also writing fiction, criticism, and essays. His work sits at the crossroads of literary culture, performance, and education in the late 19th and early 20th centuries.

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