
VERONESE - BY FRANÇOIS CRASTRE TRANSLATED FROM THE FRENCH BY FREDERIC TABER COOPER WITH EIGHT FACSIMILE REPRODUCTIONS IN COLOUR
LIST OF ILLUSTRATIONS
INTRODUCTION
THE FIRST YEARS
THE SOJOURN IN VENICE
THE WEDDING AT CANA
VERONESE AND THE INQUISITION
THE JOURNEY TO ROME
THE RETURN TO VENICE
THE DECORATION OF THE DUCAL PALACE
A vivid portrait of Paolo Caliari—better known as Veronese—opens with a playful probe of the painter’s paradoxical genius. The author argues that Veronese’s disregard for strict historical accuracy and conventional logic was a deliberate artistic licence, allowing him to drape ancient scenes in the sumptuous fabrics and bright hues of 16th‑century Venice. By treating each biblical or mythological tableau as an excuse for colour, texture and theatricality, he created works that pulse with life and joyous excess.
The volume follows the master’s early years in Verona, his migration to the luminous canals of Venice, and the way the city itself became the backdrop for his most celebrated commissions. Richly reproduced plates let listeners picture his dazzling ceilings, opulent feasts, and the exotic details—silks, brocades, exotic animals—that populated his canvases. Through lively narration, the book reveals how Veronese’s singular blend of imagination and indulgence secured his place as the beloved “most absurd and most adorable” of the great painters.
Language
en
Duration
~59 minutes (57K characters)
Series
Masterpieces in colour
Publisher of text edition
Project Gutenberg
Release date
2013-02-03
Rights
Public domain in the USA.
Subjects
Best known for writing lively books on painters, this French art critic helped bring artists such as Rosa Bonheur, Goya, Veronese, Puvis de Chavannes, Henner, and Bastien-Lepage to a wider readership in the early 20th century.
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