Una partita a scacchi; Il Trionfo d'amore; Intermezzi e scene

audiobook

Una partita a scacchi; Il Trionfo d'amore; Intermezzi e scene

by Giuseppe Giacosa

IT·~2 hours·5 chapters

Chapters

5 total
1

UNA PARTITA A SCACCHI IL TRIONFO D'AMORE INTERMEZZI E SCENE

0:38
2

UNA PARTITA A SCACCHI. LEGGENDA DRAMMATICA IN UN ATTO IN VERSI.

40:43
3

IL TRIONFO D'AMORE. LEGGENDA DRAMMATICA IN DUE ATTI IN VERSI.

1:01:34
4

INTERMEZZI E SCENE

42:18
5

INDICE.

1:24

Description

Set against the mist‑laden valleys of the Aosta region in the 14th century, the drama opens in Renato’s ancient castle, where a solitary figure wrestles with the quiet thrum of autumn rain and the restless chatter of distant villagers. In a lyrical prologue that blends poetry with the rustle of old tapestries, the audience is drawn into a world where the very air seems to echo with stories of forgotten knights, whispered love, and the strategic tension of a chessboard.

Amid these stone corridors, the meeting of Renato and his compassionate daughter Iolanda sets a gentle but compelling conflict in motion, their exchanges illuminated by the looming presence of the enigmatic Count of Fombrone. As courtly intrigue mixes with the promise of romance, the first act balances the solemnity of medieval honor with the playful underline of fate’s moves, inviting listeners to savor each line as if it were a careful, deliberate play on the board.

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Details

Language

it

Duration

~2 hours (140K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Carlo Traverso, Paola Andriani, Barbara Magni and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2020-09-03

Rights

Public domain in the USA.

About the author

Giuseppe Giacosa

Giuseppe Giacosa

1847–1906

Best known as one of the writers behind Puccini’s great operas, he was also a major Italian playwright whose work brought everyday emotions and sharp observation to the stage. Trained in law but drawn to literature, he helped shape both modern drama and some of opera’s most enduring stories.

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