
TEATRO IN PROSA
Set in a sumptuous salon of a noble estate, the opening act gathers a handful of aristocratic ladies—Marchesa Elena, Contessa Elvira, Contessa Gemma, and Baroness Masina—whose lively chatter drifts between flirtation, gossip, and the subtle power games of high society. Into this world steps Filippo, a sharp‑tongued servant whose quick wit and audacious confidence both amuse and unsettle his mistresses as he shuttles coffee and satire around the room. Their repartee crackles with humor, exposing the fragile egos and hidden desires that ripple beneath polished etiquette.
As the evening unfolds, the characters weave a delicate dance of discretion and pretension, each maneuvering to assert influence while guarding personal secrets. The play balances lighthearted comedy with a keen observation of class dynamics, inviting listeners to hear the earnest longings and playful manipulations that drive the household’s social theater. With vibrant dialogue and vivid stage direction, the first act sets the tone for a charmingly intricate exploration of love, status, and the subtle art of being seen—or ignored.
Full title
Resa a discrezione Teatro in prosa vol. II Teatro in prosa vol. II
Language
it
Duration
~2 hours (122K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Oct 15, 2010
Rights
Public domain in the USA.

1847–1906
Best remembered for helping shape the words of Puccini’s La bohème, Tosca, and Madama Butterfly, he was also a celebrated playwright and poet in his own right. His writing is known for its clarity, feeling, and close attention to everyday human drama.
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