Un tel de l'armée française

audiobook

Un tel de l'armée française

by Gabriel Tristan Franconi

FR·~6 hours·44 chapters

Chapters

44 total
1

Au lecteur

0:27
2

UNE JEUNESSE

10:58
3

LA FOIRE AUX IDÉES

6:37
4

ISMES ET CRATES

4:47
5

LE MIRACLE DE LA MARNE

9:06
6

EN LIGNE

15:50
7

PATROUILLE

4:18
8

GUSTAVE LE REMPART DE CALONNE

4:51
9

LULUSSE DE CHARONNE

6:31
10

BICHROMATE OU LA MOTOCYCLETTE INFINIE

8:12

Description

A vivid portrait of a French teenager at the turn of the twentieth century, the narrative follows Un Tel as he moves through a world of sun‑lit fields, bustling carnivals, and quiet family meals. His days are filled with the simple pleasures of schoolyard games, summer picnics, and the rhythm of a village that seems to pulse with music and folklore. Through his bright eyes we taste the perfume of fresh bread, hear the chant of street singers, and feel the warmth of a mother’s steadfast devotion.

As the seasons change, a quieter tension gathers on the horizon, hinting at the obligations that will soon pull the young man from his pastoral haven. The story gently traces his inner tug between youthful exuberance and the call of duty, capturing the hopes, doubts, and fleeting joys of a generation on the brink of upheaval. It is a lyrical meditation on identity, community, and the passage from innocent wonder to the responsibilities of adulthood.

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Details

Language

fr

Duration

~6 hours (374K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Clarity, Hans Pieterse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2015-11-13

Rights

Public domain in the USA.

About the author

GT

Gabriel Tristan Franconi

1887–1918

A French poet and novelist of Swiss origin, he belonged to the restless literary world of early 20th-century Paris before dying in World War I at just 31. His work carries the energy of a young writer shaped by both avant-garde circles and the violence of his time.

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