
TURNER'S - GOLDEN VISIONS - BY - C. LEWIS HIND - WITH FIFTY OF THE PAINTINGS AND DRAWINGS - OF TURNER REPRODUCED IN COLOUR - LONDON: T. C. & E. C. JACK - 67 LONG ACRE, W. C. - AND EDINBURGH - 1907
NOTE
PART ONE - A MEMORY: TELLS OF A BOY WHO LOVED TURNER'S 'VIEW OF ORVIETO'
PART TWO
A young boy growing up in the 1870s discovers an unexpected sanctuary in the work of a once‑revered painter. While wandering through the crowded halls of the National Gallery, he is drawn to a single room where Turner’s luminous water‑colours hang, offering a stark contrast to the heavier oils surrounding them. The quiet brilliance of those “golden visions” sparks a fascination that steadies his bewildered mind amid the chaos of artistic styles.
As his visits become regular, the boy’s admiration deepens, especially for a small, radiant scene of Orvieto that seems to capture an ideal Italy. He begins to sense a personal journey within the artist’s evolving light—from dark, labor‑laden harbors to ethereal, sun‑filled skies—without yet understanding the chronology behind them. This early enchantment sets the stage for a lifelong devotion, hinting at the profound reflections he will later share about the painter’s lasting influence.
Language
en
Duration
~5 hours (334K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laura Natal Rodrigues, Clare Graham and Marc D'Hooghe at Free Literature (Images generously made available by the Internet Archive.)
Release date
2018-04-05
Rights
Public domain in the USA.

1862–1927
A lively British man of letters, he moved easily between journalism, fiction, and art criticism, helping readers discover painters and writers at the turn of the 20th century. His work captures a world where magazines, galleries, and literary life were all closely connected.
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