
The cover image was repaired by the transcriber and is placed in the public domain.
TRAVELLING SKETCHES.
TRAVELLING SKETCHES.
THE MAN WHO TRAVELS ALONE.
THE UNPROTECTED FEMALE TOURIST.
THE UNITED ENGLISHMEN WHO TRAVEL FOR FUN.
THE ART TOURIST.
THE TOURIST IN SEARCH OF KNOWLEDGE.
THE ALPINE CLUB MAN.
TOURISTS WHO DON'T LIKE THEIR TRAVELS.
In this witty collection of short sketches, the author examines the travel mania that gripped England in the late nineteenth century. He opens with a respectable family departing abroad simply because it has become fashionable, exposing the bemusing rituals of fathers, mothers, and eager daughters as they navigate foreign cafés, cramped carriages and the pressure to appear cultured. The tone is gently satirical, showing how even well‑intentioned outings reveal the quirks and anxieties beneath propriety.
Subsequent sketches move beyond the family troupe, presenting a solitary gentleman seeking solitude, a daring but often under‑prepared lady tourist, the earnest art aficionado, a knowledge‑hungry scholar, a rugged Alpine Club member, and travelers whose enthusiasm wanes into complaint. Each portrait captures a different facet of Victorian wanderlust, from the earnest desire to absorb culture to the comic mishaps that arise when expectations clash with reality. Listeners will enjoy the sharp social commentary and the vivid, almost theatrical scenes that bring the era’s bustling stations, grand hotels and scenic mountain passes to life.
Language
en
Duration
~1 hours (103K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Chris Whitehead, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-02-24
Rights
Public domain in the USA.

1815–1882
Best known for the richly observed Barsetshire and Palliser novels, this prolific Victorian storyteller turned the routines of public life, ambition, and family into vivid, deeply human fiction. He also drew on years working for the Post Office, which gave him a practical eye for institutions and the people inside them.
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