
PREFACE - TO THE FIRST ITALIAN EDITION
TRANSLATOR'S NOTE
PART I - THEORY OF HISTORIOGRAPHY
I. HISTORY AND CHRONICLE
II. PSEUDO-HISTORIES
III. HISTORY AS HISTORY OF THE UNIVERSAL CRITICISM OF 'UNIVERSAL HISTORY
IV. IDEAL GENESIS AND DISSOLUTION OF THE 'PHILOSOPHY OF HISTORY'
V. THE POSITIVITY OF HISTORY
VI. THE HUMANITY OF HISTORY
VII. CHOICE AND PERIODIZATION
The book offers a profound examination of what it means to record the past, positioning historiography as a central facet of human consciousness. Written as the concluding volume of a larger philosophical system, it deepens earlier discussions on the spirit’s modes and their unity. Rather than a simple manual, it invites listeners to contemplate history as an intellectual act that shapes and is shaped by the thinker.
It begins by distinguishing “contemporary” history—the immediate reflection of an event as it unfolds—from the more familiar “past” history that critiques earlier narratives. The author argues that even retrospective accounts are, in a sense, contemporary because they arise from the historian’s inner response to the source material. Through careful analysis of chronology, memory, and the creative imagination, the work reveals how the historian’s mind gives life to the past.
Language
en
Duration
~9 hours (537K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe at Free Literature (online soon in an extended version, also linking to free sources for education worldwide ... MOOC's, educational materials,...) Images generously made available by the Internet Archive.
Release date
2017-05-02
Rights
Public domain in the USA.
Subjects

1866–1952
A leading voice in modern Italian thought, this philosopher and historian explored art, history, and politics with unusual range. His work on aesthetics and liberal culture made him one of Italy’s most influential intellectuals of the early 20th century.
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