
ARIOSTO, SHAKESPEARE AND CORNEILLE - BY - BENEDETTO CROCE - TRANSLATED BY - DOUGLAS AINSLIE - "RUSKIN HOUSE, 40 MUSEUM STREET, W.C.I LONDON: GEORGE ALLEN & UNWIN, LTD. - 1920
TRANSLATOR'S PREFACE
PART I - LUDOVICO ARIOSTO
PART II - WILLIAM SHAKESPEARE
PART III - PIERRE CORNEILLE
In this insightful volume, an Italian philosopher‑critic probes the works of Ariosto, Shakespeare, and Corneille, offering fresh perspectives on their art. Using his Theory of Aesthetic, he defines art as intuition‑expression and shows how each writer balances lyrical imagination with structural harmony. His reading of Ariosto’s Orlando Furioso treats the epic as a clear celebration of love and adventure, yet one that rests on deep emotional currents.
Turning to Shakespeare, he separates the playwright’s practical temperament from his poetic soul, tracing themes of power, desire, and the uncanny. In the section on Corneille, the critic outlines the French dramatist’s ideal of heroic tragedy and uncovers the mechanics that modernize classical forms. All three essays are rendered in clear, idiomatic English, preserving Croce’s rigorous yet vivid voice for readers who love both literature and philosophy.
Language
en
Duration
~8 hours (517K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe at Free Literature (back online soon in an extended version, also linking to free sources for education worldwide ... MOOC's, educational materials,...) (Images generously made available by the Internet Archive.)
Release date
2017-02-15
Rights
Public domain in the USA.

1866–1952
A leading voice in modern Italian thought, this philosopher and historian explored art, history, and politics with unusual range. His work on aesthetics and liberal culture made him one of Italy’s most influential intellectuals of the early 20th century.
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