
audiobook
by Hrotsvitha
— Note de transcription —
THÉATRE DE HROTSVITHA RELIGIEUSE ALLEMANDE DU Xème SIÈCLE
HROTSVITHA, SON TEMPS, SA VIE ET SES OUVRAGES.
PRÆFATIO IN COMŒDIAS.
EPISTOLA EJUSDEM AD QUOSDAM SAPIENTES HUJUS LIBRI FAUTORES.
I. GALLICANUS.
GALLICANI PARS SECUNDA.
II. DULCITIUS.
III. CALLIMACHUS.
IV. ABRAHAM.
Step into a world few listeners have ever heard of: the 10th‑century stage of a German nun who wrote drama for her convent. Hrotsvitha’s plays blend classical motifs with Christian virtues, turning mythic characters into exemplars of faith and charity. The opening scenes introduce audiences to a courtly yet austere setting where pagan heroes are re‑imagined to teach moral lessons.
This audio edition presents the French translation alongside a carefully restored Latin text, with scholarly notes that illuminate the historical background and manuscript quirks. Listeners will follow the unfolding conflicts, witty dialogues, and somber reflections that reveal how medieval theater could be both entertaining and didactic. The rich narration captures the cadence of the original verses while keeping the stories accessible to modern ears.
Full title
Théâtre de Hrotsvitha religieuse allemande du dixième siècle, traduit pour la première fois en français avec le texte latin revu sur le manuscrit de Munich religieuse allemande du dixième siècle, traduit pour la première fois en français avec le texte latin revu sur le manuscrit de Munich
Language
fr
Duration
~7 hours (435K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel, Bibimbop, The Internet Archive/Canadian Libraries and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2015-02-02
Rights
Public domain in the USA.

A 10th-century canoness at Gandersheim Abbey, she is remembered as one of the earliest known women writers in Europe and the first known female playwright of the Latin West. Her dramas and poems reworked classical forms into lively Christian stories, giving medieval literature a bold new voice.
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