The Young Emigrants; Madelaine Tube; the Boy and the Book; and Crystal Palace

audiobook

The Young Emigrants; Madelaine Tube; the Boy and the Book; and Crystal Palace

by Susan Anne Livingston Ridley Sedgwick

EN·~4 hours·28 chapters

Chapters

28 total

Illustrations

0:09

CHAPTER I.SIGHTS AT SEA

12:34

CHAPTER II. THE NEW WORLD.

18:05

CHAPTER III. A NEW HOME, AND A NARROW ESCAPE.

14:20

CHAPTER IV. AN INTRUDER.

17:22

CHAPTER V. STRIVING AND THRIVING.

11:51

Illustrations

0:03

CHAPTER I. THE BROKEN CUP.

7:03

CHAPTER II. A PICTURE OF POVERTY.

9:10

CHAPTER III. UNEASINESS.

4:38

Description

A bright April morning finds the ship Columbia cutting through the Atlantic, its sails full and its deck alive with the restless energy of a family of emigrants. Father and mother watch their children, Tom and Annie, as the boy’s impatience clashes with his sister’s cautious nature, while the sea itself offers marvels—schools of silver‑scaled fish that seem to sprout wings and dance in the sunlight. The gentle rhythm of the voyage lets the younger ones run and play, yet the older siblings feel the tug of responsibility and the weight of leaving a familiar shore behind.

As the sun dips and the moon rises, the family gathers on deck, the father pointing out the grandeur of the vessel and the endless horizon, weaving stories of human ingenuity with quiet reverence for the divine. The children’s awe grows with every sight, from the glittering waves to the night sky’s constellations, hinting at the hopes and challenges that await them in the new world beyond. Their simple moments of wonder become the foundation of an adventure that will shape their lives.

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Details

Language

en

Duration

~4 hours (246K characters)

Publisher of text edition

Project Gutenberg

Release date

Mar 1, 2004

Rights

Public domain in the USA.

About the author

Susan Anne Livingston Ridley Sedgwick

Susan Anne Livingston Ridley Sedgwick

1788–1867

A writer of early American children's fiction, she published moral tales and family-centered stories for young readers in the first half of the 19th century. She also left behind a striking piece of visual art: a watercolor-on-ivory portrait linked to the life of Elizabeth Freeman, known as Mum Bett.

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