The World's Illusion, Volume 1 (of 2): Eva

audiobook

The World's Illusion, Volume 1 (of 2): Eva

by Jakob Wassermann

EN·~12 hours·11 chapters

Chapters

11 total

THE EUROPEAN LIBRARY

0:03

THE WORLD’S ILLUSION

0:16

CONTENTS OF THE FIRST VOLUME

0:03

CRAMMON, THE STAINLESS KNIGHT - I

25:13

CHRISTIAN’S REST - I

57:44

THE GLOBE ON THE FINGERTIPS OF AN ELF - I

1:16:10

AN OWL ON EVERY POST - I

1:47:44

OR EVER THE SILVER CORD BE LOOSED - I

2:07:43

THE NAKED FEET - I

2:44:56

KAREN ENGELSCHALL - I

2:52:04

Description

A well‑traveled nobleman, Bernard Crammon roams Europe’s grand capitals and country estates, carrying with him a reputation for charm and a taste for the unexpected. In his elegant Viennese townhouse, two devoted, unmarried aunts tend the rooms and relics that speak of his adventures—goblets, agate bowls, and a portrait that hints at a hidden, roguish spark beneath a solemn gaze. Their patient waiting for his return sets a tone of longing and quiet anticipation that permeates the opening of the tale.

Crammon’s encounters reveal a man who blends wit with a touch of mystery: he drifts into sleep at a Baden‑Baden dinner, only to answer a teasing question with a confident, fabricated story, and later, at a Hungarian cattle market, he impulsively purchases a magnificent bull, surprising both peasants and himself. These episodes introduce a world where aristocratic privilege meets ordinary life, inviting listeners to explore the delicate balance between appearance and reality in a society built on illusion.

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Details

Language

en

Duration

~12 hours (704K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2017-05-27

Rights

Public domain in the USA.

About the author

Jakob Wassermann

Jakob Wassermann

1873–1934

A bestselling German-language novelist of the early 20th century, he was drawn to moral conflict, mystery, and questions of identity. His fiction reached a huge audience in the 1920s, and his life as a German Jew gave added force to his writing about belonging and exclusion.

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