
THE Witches of New York,
Preface.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
A diligent chronicler of mid‑nineteenth‑century New York sets out to document the lives of the city’s professional fortune‑tellers, whom he labels the “Witches of New York.” With a promise of honesty and a disdain for sensationalism, he records first‑hand accounts, advertisements, and the everyday language of these women’s trade. The introduction frames the work as a serious attempt to understand a subculture that has long been dismissed as mere amusement.
The narrative paints a vivid picture of bustling streets where carriages pause at dimly lit parlors and well‑dressed ladies slip inside out of curiosity or desperation. Visitors range from humble servants to respected merchants, all drawn by promises of love‑potions, prophetic cards, and guidance for business affairs. The author notes that many of these practitioners were once respectable townspeople, now operating in cramped rooms that double as clandestine meeting places.
Beyond gossip, the author hints at deeper moral and legal implications, suggesting that some of these establishments double as sites for illicit activities such as illegal abortions. He argues that the influence of these women extends far beyond entertainment, affecting both private lives and public commerce, and calls for a more earnest public reckoning with their hidden power.
Language
en
Duration
~6 hours (347K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2010-03-21
Rights
Public domain in the USA.

1831–1875
Best known by the comic pen name Q. K. Philander Doesticks, this American journalist and humorist mixed lively satire with sharp commentary on public life in the mid-1800s. His writing helped make him a recognizable newspaper voice in New York before his career was cut short in 1875.
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