The violin and the art of its construction: a treatise on the Stradivarius violin

audiobook

The violin and the art of its construction: a treatise on the Stradivarius violin

by August Riechers

EN·~52 minutes·27 chapters

Chapters

27 total
1

THE VIOLIN AND THE ART OF ITS CONSTRUCTION.

0:28
2

PREFACE.

0:45
3

Index.

0:51
4

INTRODUCTION.

5:04
5

I. OF THE WOOD.

2:07
6

II. OF THE CONSTRUCTION.

0:58
7

III. THE RIBS (Fig. 1. a).

1:32
8

IV. THE BACK AND EDGES.

0:35
9

V. THE BELLY.

0:20
10

VI. THE ARCHING.

1:51

Description

This hour‑long treatise opens with a warmly personal dedication, then moves into a clear, step‑by‑step exploration of what makes a violin sing. The author, a seasoned 19th‑century maker, shares four decades of hands‑on experience, describing the choice of wood, the shaping of ribs, and the careful arching of the belly and back. Readers will hear vivid explanations of how each component—purfling, f‑holes, bass‑bar, and even the varnish—contributes to tone and stability.

The work is organized like a workshop manual, with short sections on the neck, fingerboard, pegbox, bridge, and sound‑post, plus practical advice on cleaning, care, and bow making. Illustrated by detailed lithographs, the guide offers both the theory behind classic Italian models and the pragmatic adjustments that modern makers still use. Listeners will come away with a deeper appreciation of the craft that produced the legendary Stradivarius and a toolbox of ideas they can apply to any instrument they touch.

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Details

Language

en

Duration

~52 minutes (50K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Germany: Franz Wunder, 1895.

Credits

The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2022-07-20

Rights

Public domain in the USA.

About the author

August Riechers

August Riechers

1836–1893

A leading German violin maker of the 19th century, he built instruments in Berlin and founded a workshop tradition that continued after his death. His name is still remembered among musicians and collectors for finely made violins, violas, cellos, and bows.

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