The story of iron

audiobook

The story of iron

by Elizabeth Ida Samuel

EN·~2 hours·18 chapters

Chapters

18 total

Illustrations

0:18

CHAPTER I BILLY BRADFORD

8:55

CHAPTER IIOLD IRON

9:07

CHAPTER III A MOUNTAIN OF IRON

7:20

CHAPTER IV THE FOUNDRY

13:08

CHAPTER V THE GREAT IRON KEY

9:02

CHAPTER VI A SURPRISE OR TWO

11:53

CHAPTER VII IRON CUTS IRON

12:04

CHAPTER VIII TRAITOR NAILS

11:05

CHAPTER IX BILLY STANDS BY

8:30

Description

Billy Bradford spends his days wandering the river‑side path that leads to a towering iron foundry, balancing the weight of a hot soup bundle with thoughts that feel twice his size. The rhythmic clang of metal and the steady plume of smoke frame a world where work is hard, yet there’s a quiet pride in the hands that shape it. With a caring aunt, a stoic uncle, and a village that whispers of dwindling savings, Billy’s simple errands become a glimpse into a life forged by fire and responsibility.

On the cusp of his thirteenth birthday, Billy worries about money, about earning his own keep, and about the future that seems as solid and unyielding as the iron he sees being forged. His conversations with Uncle John reveal a bond that blends practical guidance with a reverence for the craft, sparking the boy’s curiosity about what it truly means to create something lasting. Listeners will feel the heat of the foundry, hear the river’s song, and follow Billy as he steps toward the first choices that will shape his coming‑of‑age journey.

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Details

Language

en

Duration

~2 hours (172K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: Penn Publishing Co., 1914.

Credits

Amber Black, Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

Jul 10, 2022

Rights

Public domain in the USA.

About the author

EI

Elizabeth Ida Samuel

b. 1860

Best known for early 20th-century books that turn metals and industry into lively stories for young readers, this author wrote clear, practical nonfiction with an educational bent. Her surviving work suggests a talent for making big subjects feel approachable.

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