
audiobook
by E. T. A. (Ernst Theodor Amadeus) Hoffmann
Transcriber's Notes:
THE SERAPION BRETHREN.
GEORGE BELL AND SONS - LONDON PORTUGAL ST., LINCOLN'S INN. CAMBRIDGE: DEIGHTON, BELL AND CO. NEW YORK: THE MACMILLAN CO. BOMBAY: A. H. WHEELER AND CO.
THE SERAPION BRETHREN. - BY - ERNST THEODOR WILHELM HOFFMANN - Translated from the German - BY - MAJOR ALEX. EWING, - A.P.D., - TRANSLATOR OF J. P. RICHTER'S "FLOWER, FRUIT, AND THORN PIECES," ETC.
VOLUME I.
PREFACE.
THE SERAPION BRETHREN.
SECTION I.
SECTION II.
"NUTCRACKER AND THE KING OF MICE. - "CHRISTMAS EVE.
A group of old friends reunites after a twelve‑year separation, gathering around a lively fire and confronting the uneasy truth that time reshapes both the world and their own selves. Their conversation drifts from melancholy recollections to a playful yet unsettling debate about the impossibility of reclaiming the past, setting a tone that mixes philosophical rumination with the uncanny.
Within this opening framework, the volume unfurls a series of tightly wound tales that move from musical dialogues—where a poet and a composer argue over art’s purpose—to eerie encounters with automata, enchanted instruments, and mysterious strangers. Each story is framed by Hoffmann’s characteristic blend of imagination and subtle critique, inviting listeners to wonder where reality ends and fantasy begins.
The collection’s first act promises a rich tapestry of gothic romance, whimsical invention, and thoughtful observation, all delivered with a lyrical style that makes the listening experience feel like a night spent in a candlelit salon where every whispered anecdote may turn into a haunting adventure.
Language
en
Duration
~20 hours (1178K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charles Bowen, scans provided by the Web Archive
Release date
2010-03-29
Rights
Public domain in the USA.

1776–1822
A master of the uncanny, he filled Romantic-era fiction with doubles, dreams, automata, and sly humor. His stories helped shape modern fantasy and horror, and they still feel wonderfully strange.
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