
INTRODUCTION.
“PÉTROUCHKA.”
THAMAR.
LE CARNAVAL.
CLÉOPÂTRE.
LES SYLPHIDES.
SCHEHERAZADE.
LE SPECTRE DE LA ROSE.
NARCISSE.
L’OISEAU DE FEU.
This volume offers listeners a lively portrait of the Russian ballet’s spectacular emergence on the world stage. It begins by tracing the art’s surprisingly ancient roots, from pagan rites and early ceremonial dances to the court spectacles of sixteenth‑century France, showing how those humble beginnings blossomed into a modern theatrical form. The narrative paints a clear picture of why the Russian revival captured the imagination of audiences in London, Paris and beyond, setting the scene for the cultural phenomenon that follows.
The author then guides us through the pivotal figures and ideas that shaped the tradition, from Noverre’s early experiments to the dazzling virtuoso of the nineteenth century, and finally to the bold choreography of “Le Sacre du Printemps.” By examining the relationship between music and movement, the book reveals how the Russians forged a distinctive, tightly choreographed style that still resonates today. Listeners will come away with a richer appreciation of the ballet’s history, its artistic philosophy, and the excitement that first brought it to Western stages.
Language
en
Duration
~4 hours (238K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif, deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-07-10
Rights
Public domain in the USA.
Subjects
b. 1879
Best remembered for early 20th-century books on art, illustration, and performance, this British writer also translated and retold classic stories for general readers. His work ranges from studies of popular illustrators to editions of "Carmen" and collections such as "Old-Time Stories."
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