
NEW YORK - GROSSET & DUNLAP - PUBLISHERS
THE PROFESSOR'S MYSTERY
CHAPTER I - IN WHICH THINGS ARE TURNED UPSIDE DOWN
CHAPTER II - THE MEADOW OF ILLUSION
CHAPTER III - AN ALARM IN THE NIGHT
CHAPTER IV - AN INSULT IN THE MORNING
CHAPTER V - BESIDE THE SUMMER SEA: AN INTERLUDE
CHAPTER VI - A RETURN TO THE ORIGINAL THEME
CHAPTER VII - SENTENCE OF BANISHMENT CONFIRMED WITH COSTS
CHAPTER VIII - HOW WE MADE AN UNCONVENTIONAL JOURNEY TO TOWN
A weary traveler battles delayed trains and a sweltering summer platform, his plans to board a steamship to Europe slipping through his fingers. Just as frustration peaks, a familiar face appears in a Pullman window—Miss Tabor, bright and enigmatic, whose sudden smile cuts through the heat and the monotony of the bustling station. Their brief, witty exchange hints at a deeper connection and a shared curiosity about a mysterious professor embarking on a scholarly pilgrimage.
The encounter pulls the narrator into a world where ordinary schedules give way to unexpected intrigue. As the train finally lurches forward, the lingering sense that something larger is about to unfold lingers, promising a journey that will blend academic pursuit with hidden dangers. Listeners will be drawn into the early tension and charm, eager to discover what secrets lie beyond the platform’s foggy horizon.
Language
en
Duration
~6 hours (370K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annie McGuire. This book was produced from scanned images of public domain material from the Google Print archive.
Release date
Jan 17, 2011
Rights
Public domain in the USA.
1879–1923
A Yale-educated writer with a flair for wit and mystery, he moved from college humor and fiction into silent-film writing in the early 1920s. His work bridges the worlds of magazines, novels, and early Hollywood screen stories.
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1880–1946
A versatile American man of letters, he moved from poetry and teaching into the theater and became especially known for his lively English version of Cyrano de Bergerac and for musical-stage writing such as The Vagabond King. His work had an easy feel for spoken rhythm, which helped it travel well from page to performance.
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