The Old Bachelor: A Comedy

audiobook

The Old Bachelor: A Comedy

by William Congreve

EN·~3 hours·15 chapters

Chapters

15 total
1

INTRODUCTION - I.

52:23
2

THE OLD BACHELOR A COMEDY

0:14
3

TO THE RIGHT HONOURABLE CHARLES, LORD CLIFFORD OF LANESBOROUGH, ETC.

3:48
4

TO MR. CONGREVE.

1:57
5

TO MR. CONGREVE.

1:33
6

TO MR. CONGREVE, ON HIS PLAY CALLED THE OLD BACHELOR.

1:11
7

PROLOGUE INTENDED FOR THE OLD BACHELOR. Written by the Lord Falkland.

1:31
8

PROLOGUE. Spoken by Mrs. Bracegirdle.

1:18
9

DRAMATIS PERSONÆ.

0:41
10

ACT I. - SCENE I.

19:06

Description

A lively Restoration comedy opens with a curmudgeonly old bachelor who has spent his life avoiding marriage, yet suddenly decides that a strategic union might secure his fortune and reputation. His meticulous plans quickly collide with the restless ambitions of the younger generation—witty relatives, eager suitors, and clever servants—all eager to turn his prudence into profit. The first act bristles with sharp repartee, intricate matchmaking, and a parade of social pretensions that expose the absurdities of genteel London society.

As the characters weave their schemes, the audience is treated to a sparkling display of Congreve’s trademark wordplay and keen observation of manners. The humor arises not just from romantic entanglements but from the clash between the bachelor’s rigid principles and the fluid, opportunistic world around him. Listeners will find themselves caught up in the clever banter, the playful deceptions, and the promise of further twists as the old man’s newfound quest for love unfolds.

Details

Language

en

Duration

~3 hours (186K characters)

Publisher of text edition

Project Gutenberg

Release date

1998-02-01

Rights

Public domain in the USA.

About the author

William Congreve

William Congreve

1670–1729

A master of Restoration comedy, this English playwright and poet is still admired for sparkling dialogue, sharp social satire, and memorable lines that have outlived the theater world that first applauded them. Best known for plays like Love for Love and The Way of the World, he helped define the comedy of manners in English drama.

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