
Produced by Charles Bowen, from scans provided by Google Books
FREELY TRANSLATED FROM THE GERMAN OF - WILLIAM AUGUSTUS IFFLAND, - BY - HANNIBAL EVANS LLOYD, ESQ.
LONDON: - PRINTED BY W. AND C. SPILSBURY, SNOWHILL; - AND SOLD BY G. G. AND J. ROBINSON, PATERNOSTER-ROW; CADELL AND DAVIES, STRAND; J. DEBRETT, PICCADILLY; AND J. BELL, OXFORD-STREET. - M.DCC.XCIX. - DRAMATIS PERSONAE - CHANCELLOR FLEFFEL.
SCENE II.
END OF THE FIRST ACT. - ACT II. - SCENE I.
END OF THE SECOND ACT. - ACT III. - SCENE I.
SCENE II.
END OF THE THIRD ACT. - ACT IV. - SCENE I.
SCENE II.
END OF THE FOURTH ACT. - ACT V. - SCENE I.
At the heart of this brisk five‑act comedy sits Chancellor Fleffel, a well‑meaning but beleaguered patriarch, and his two nephews, Lewis and Philip Brook. Over a leisurely breakfast they spar about a puzzling clause in their late uncle’s will that could turn a prodigal son into a tutor and redistribute a sizable fortune. As familial loyalties clash with greed, the brothers trade barbs about love, madness, and the mysterious disappearance of an eccentric uncle, hinting at schemes that could reshape their future.
The dialogue crackles with wit, as Lewis mocks his own weight and the Chancellor’s health while probing the shadowy intentions of his brother. Meanwhile, the older generation—embodied by the Chancellor and a shrewd banker—offers a veneer of respectability that thinly masks the underlying power play. Listeners are drawn into a world where inheritance law becomes a battlefield, and every seemingly harmless remark may conceal a calculated move.
Language
en
Duration
~1 hours (107K characters)
Publisher of text edition
Project Gutenberg
Release date
2010-03-16
Rights
Public domain in the USA.

1759–1814
Drawn to the stage against his family's wishes, this German actor-playwright became one of the most influential figures in theater around the turn of the 19th century. His domestic dramas and commanding performances helped shape stage culture in Mannheim and Berlin.
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