
audiobook
by Hurlothrumbo
The texts cited use a variety of long and short dashes, generally with no relationship to the number of letters omitted. For this e-text, short dashes are separated, while longer dashes are connected:
The Augustan Reprint Society
THE - MERRY-THOUGHT: - OR, THE - Glass-Window and Bog-House - MISCELLANY. - Part I - (1731)
Introduction by - George R. Guffey
INTRODUCTION
NOTES TO THE INTRODUCTION - BIBLIOGRAPHICAL NOTE
F I N I S.
A thoughtful opening draws listeners into a surprising corner of literary history, where the clever courtship tricks of a notorious 18th‑century heroine give way to an early modern fascination with glass‑written graffiti. The author juxtaposes Daniel Defoe’s playful exchange of diamond‑etched messages with a broader scholarly turn toward the study of spontaneous markings as cultural barometers. By tracing references from Tudor court intrigue to John Donne’s romantic incisions, the narration sketches how fragile inscriptions once served as private vows and public provocation.
The collection then widens its lens, presenting a range of rare texts that illuminate the social and psychological weight of these fleeting marks. Essays examine how scholars have mined diary fragments, satirical letters, and obscure pamphlets to read the anxieties and aspirations of past societies. Listeners are invited to consider how a simple scratch on a pane can echo across centuries, revealing the enduring human desire to leave a trace of love, humor, or dissent.
Language
en
Duration
~43 minutes (41K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2007-02-11
Rights
Public domain in the USA.

A dancing master turned playwright and violinist, he became famous for the wildly eccentric 1729 stage piece Hurlothrumbo, a comic spectacle so strange it was mocked almost as much as it was admired. His life has the feel of folklore: theatrical, unruly, and impossible to confuse with anyone else.
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