The Mentor: Italy Under War Conditions, Vol. 6, Num. 23, Ser. No. 171, January 15, 1919

audiobook

The Mentor: Italy Under War Conditions, Vol. 6, Num. 23, Ser. No. 171, January 15, 1919

by E. M. (Edward Manuel) Newman

EN·~55 minutes·4 chapters

Chapters

4 total
1

THE MENTOR Italy Under War Conditions

0:26
2

TO ITALY

21:21
3

ITALY UNDER WAR CONDITIONS By E. M. NEWMAN, Traveler and Lecturer

22:49
4

THE OPEN LETTER

10:25

Description

In the first months after the Great War, a keen-eyed traveler and lecturer offers a vivid snapshot of Italy’s wartime struggles. He paints a picture of a nation caught between fierce patriotism and crippling economic constraints, as German‑owned banks and factories tightened their grip just as Italy declared war on Austria‑Hungary. The narrative balances stark statistics—plummeting lira values, dwindling ammunition stocks—with human stories of resolve, showing how the country’s leadership chose the uncertain path of the Allies despite severe financial peril.

The second part turns to the turning point that followed the United States’ entry into the conflict. An influx of American steel, British coal, and fresh loans rekindled Italy’s industrial engine, allowing the burgeoning Ansaldo plant and its abundant water‑power resources to emerge as key players in the global munitions market. By the close of 1918, the author notes a cautious optimism: the lira steadies, factories revive, and Italy begins to glimpse a post‑war future defined by renewed commercial freedom and growth.

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Details

Language

en

Duration

~55 minutes (52K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-02-22

Rights

Public domain in the USA.

About the author

E. M. (Edward Manuel) Newman

E. M. (Edward Manuel) Newman

1870–1953

Known for lively early 20th-century travel books and lecture films, this American writer brought faraway places to readers and audiences at home. His work turned journeys through Russia and other countries into accessible, popular storytelling.

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