The Mentor: Bolivia, vol. 5, Num. 18, Serial 142, November 1, 1917

audiobook

The Mentor: Bolivia, vol. 5, Num. 18, Serial 142, November 1, 1917

by E. M. (Edward Manuel) Newman

EN·~1 hours·11 chapters

Chapters

11 total
1

THE MENTOR 1917.11.01, No. 142, Bolivia

0:15
2

The Native Bolivian

2:03
3

BOLIVIA The Story of Bolivia

5:21
4

BOLIVIA Government and Institutions

5:15
5

BOLIVIA Resources and Industries

5:28
6

BOLIVIA La Paz

5:25
7

BOLIVIA Sucre

3:49
8

BOLIVIA Cities of Bolivia

5:11
9

BOLIVIA

20:34
10

THE OPEN LETTER

4:41

Description

A wandering lecturer paints a vivid picture of Bolivia’s high plateau, where the remnants of ancient Inca spirituality mingle with introduced Christian rites. He describes the native Bolivian’s reverence for mountain and river spirits—Achachilas—alongside prayers to the Christian Dios, and notes secret dance guilds whose mysteries remain untouched by outsiders. The narrative also follows the uneasy relationship between the Indigenous peoples and the white landowners, highlighting a fragile coexistence built on labor needs rather than genuine respect.

Interwoven with these ethnographic scenes is a concise history of the nation’s birth, from its days as part of the Inca empire through Spanish conquest, rebellion, and the eventual triumph of independence in 1825. The author’s photographs of the Temple of the Sun on Lake Titicaca add a visual dimension, grounding the listener in the striking landscapes that have shaped Bolivia’s complex cultural tapestry.

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Details

Language

en

Duration

~1 hours (61K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2016-01-11

Rights

Public domain in the USA.

About the author

E. M. (Edward Manuel) Newman

E. M. (Edward Manuel) Newman

1870–1953

Known for lively early 20th-century travel books and lecture films, this American writer brought faraway places to readers and audiences at home. His work turned journeys through Russia and other countries into accessible, popular storytelling.

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