
EMIL BEHNKE,
PREFACE TO THE NINTH EDITION.
PREFACE TO THE THIRD EDITION.
PREFACE TO THE SECOND EDITION.
PREFACE TO THE FIRST EDITION.
PLATES.
INTRODUCTION.
THE VOCAL ORGAN AS A MUSICAL INSTRUMENT.
DIFFERENCES OF THE VOICEBOX, OR LARYNX, IN CHILDREN, WOMEN, AND MEN.
MOVEMENTS OF THE VOICEBOX, OR LARYNX, WHICH CAN BE SEEN OR FELT.
A clear‑spoken guide to the anatomy and function of the human voice, this work blends scientific observation with practical instruction. Drawing on the author’s experience as a lecturer in vocal physiology, it explains how the larynx, breath support, and resonance interact to produce speech and song. The text is organized around a step‑by‑step system that students of both speaking and singing can follow, with illustrations that make the underlying mechanisms easy to visualise.
The fifteenth edition adds a new chapter on voice failure, offering tips for spotting early signs of strain and preserving vocal health. Personal notes from the author’s family and collaborators give the book a warm, observational tone, while the concise language keeps technical jargon accessible to a general audience. Listeners will come away with a firmer grasp of how their own voices work and practical ideas for improving control and stamina.
Language
en
Duration
~3 hours (208K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-01-08
Rights
Public domain in the USA.

1836–1892
A pioneering voice teacher and writer, he helped bring a more scientific understanding to singing and speaking in Victorian Britain. His work linked vocal training with anatomy and breath control in a way that influenced performers, speakers, and teachers alike.
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