
EMIL BEHNKE,
PREFACE TO THE NINTH EDITION.
PREFACE TO THE THIRD EDITION.
PREFACE TO THE SECOND EDITION.
PREFACE TO THE FIRST EDITION.
PLATES.
INTRODUCTION.
THE VOCAL ORGAN AS A MUSICAL INSTRUMENT.
DIFFERENCES OF THE VOICEBOX, OR LARYNX, IN CHILDREN, WOMEN, AND MEN.
MOVEMENTS OF THE VOICEBOX, OR LARYNX, WHICH CAN BE SEEN OR FELT.
A clear‑spoken guide to the anatomy and function of the human voice, this work blends scientific observation with practical instruction. Drawing on the author’s experience as a lecturer in vocal physiology, it explains how the larynx, breath support, and resonance interact to produce speech and song. The text is organized around a step‑by‑step system that students of both speaking and singing can follow, with illustrations that make the underlying mechanisms easy to visualise.
The fifteenth edition adds a new chapter on voice failure, offering tips for spotting early signs of strain and preserving vocal health. Personal notes from the author’s family and collaborators give the book a warm, observational tone, while the concise language keeps technical jargon accessible to a general audience. Listeners will come away with a firmer grasp of how their own voices work and practical ideas for improving control and stamina.
Language
en
Duration
~3 hours (208K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-01-08
Rights
Public domain in the USA.

1836–1892
A pioneering voice teacher and writer, he helped turn the study of singing and speech into something both practical and scientific. His books on the human voice reached singers, speakers, and teachers well beyond his own time.
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