
author
1836–1892
A pioneering voice teacher and writer, he helped bring a more scientific understanding to singing and speaking in Victorian Britain. His work linked vocal training with anatomy and breath control in a way that influenced performers, speakers, and teachers alike.

by Emil Behnke
Born in Stettin in 1836, Emil Behnke later settled in Britain and became a naturalized British subject. Before building his reputation as a teacher, he sang as a baritone with an opera company, an experience that seems to have shaped his lifelong interest in how the voice really works.
Behnke became well known in the late 19th century as a voice trainer, lecturer, and writer on vocal physiology. He taught singers and speakers, worked to explain the mechanics of breathing and tone production in clear practical terms, and collaborated with the throat specialist Lennox Browne on Voice, Song, and Speech. He is also associated with The Mechanism of the Human Voice, a book that reflects his effort to connect art with science.
What makes Behnke especially interesting is the way he treated the human voice not as a mystery, but as something that could be studied, trained, and cared for. He died in 1892, but his writing still offers a window into a moment when modern ideas about speech and singing were taking shape.