The Mapleson Memoirs, 1848-1888, vol I

audiobook

The Mapleson Memoirs, 1848-1888, vol I

by James Henry Mapleson

EN·~8 hours·23 chapters

Chapters

23 total
1

THE MAPLESON MEMOIRS

0:18
2

PREFACE.

1:04
3

CHAPTER I.

16:58
4

CHAPTER II.

13:23
5

CHAPTER III.

23:09
6

CHAPTER IV.

25:40
7

CHAPTER V.

10:59
8

CHAPTER VI.

20:50
9

CHAPTER VII.

25:00
10

CHAPTER VIII.

27:56

Description

A lively chronicle of a thirty‑year career in the world of opera, this memoir offers a rare, insider’s view of the bustling stages of London, Paris and beyond. The author recounts his formative years at the Royal Academy of Music, his early work as a violinist in Her Majesty’s Theatre, and the pivotal shift from orchestra pit to the spotlight, encouraged by the era’s leading composers and singers. Along the way he sketches the demanding, often chaotic life of a young impresario, balancing artistic ambition with the practicalities of touring.

The narrative sparkles with colorful anecdotes—sharing a cramped room with the fiery Hungarian violinist who fled the 1848 revolutions, taking impromptu lessons from celebrated tenors, and leading a provincial company that performed beside the ancient stones of Stonehenge. A memorable gift from the famed soprano Madame Sontag, a tiny clock inscribed with gratitude, captures the camaraderie and personal connections that underpinned the era’s musical enterprises. Readers are treated to vivid portraits of the people and places that shaped a lifelong passion for the operatic stage.

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Details

Language

en

Duration

~8 hours (462K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available by The Internet Archive)

Release date

2011-05-18

Rights

Public domain in the USA.

About the author

James Henry Mapleson

James Henry Mapleson

1830–1901

A larger-than-life impresario, he helped shape opera in both London and New York and became one of the best-known managers of the 19th-century stage. His memoirs still offer a lively backstage view of the era’s singers, rivalries, and grand productions.

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