
THE LONDON and COUNTRY BREWER - By Anonymous - 1736
The SECOND EDITION, Corrected. LONDON Printed for Messeurs Fox, at the Half-Moon and Seven Stars, in Westminster-Hall. M.DCC.XXXVI. {Price Two Shillings.}
THE PREFACE.
CHAP. I. Of the Nature of the Barley-Corn, and of the proper Soils and Manures for the Improvement thereof.
CHAP. II. Of making Malts.
CHAP. III. To know good from bad Malts.
CHAP. IV. Of the Nature and Use of Pale, Amber and Brown Malts.
CHAP. V. Of the Nature of several Waters and their use in Brewing. And first of Well-waters.
CHAP. VI. Of Grinding Malts.
CHAP. VII. Of Brewing in general.
A practical handbook from the mid‑1700s, written by a former London brewmaster who spent two decades in the countryside, this work tackles the everyday problems that plagued drinkers of the era. It begins with clear explanations of barley quality, soil and manure, then moves through the steps of producing, judging and using pale, amber and brown malts. The author also stresses the importance of water selection, hop handling and careful boiling, offering straightforward advice that anyone with a modest brew‑room can follow.
The guide continues with side‑by‑side comparisons of the bustling London method and quieter country approaches, detailing how to grind malt, prevent “foxing,” and work yeast without harmful shortcuts. Readers will find recipes for natural finings, tips on cellar storage, cask maintenance and cost‑saving tricks that make private brewing both healthier and more economical. It’s a concise, hands‑on resource for anyone curious about historic brewing practices or looking to improve their own small‑scale batches.
Language
en
Duration
~2 hours (162K characters)
Publisher of text edition
Project Gutenberg
Credits
Text file produced by Jim Liddil and PG Distributed Proofreaders HTML file produced by David Widger
Release date
2005-09-01
Rights
Public domain in the USA.
Some of literature’s most enduring works were created without a known name attached, which gives them an extra sense of mystery. In many cases, the missing identity shifts attention away from the writer and onto the story, ideas, or tradition behind the work.
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