
Transcriber's Note: Musical excerpts appear in the book, along with links to midi files [Listen] directly below each excerpt.
THE LIFEOF JOHANNES BRAHMS
CONTENTS OF VOL. II.
LIST OF ILLUSTRATIONS
THELIFE OF JOHANNES BRAHMS
CHAPTER XII1862-1864
CHAPTER XIII1864-1867
CHAPTER XIV1867-1869
CHAPTER XV1869-1872
CHAPTER XVI1872-1876
The narrative opens in the bustling musical scene of 1860s Vienna, where a young Johannes Brahms first steps onto the public stage. Through detailed accounts of his early concerts, his work with the Hellmesberger Quartet, and a short stint conducting the Hamburg Philharmonic, the book paints a vivid picture of a composer eager to find his voice amid society concerts and salon gatherings. Readers glimpse the formative encounters that shaped his reputation, from the enthusiastic reception of his first serenade to the tentative rivalry with Wagner’s ideas.
As Brahms matures, the biography follows his expanding circle of friends and collaborators, including the Schumann family, violinist Joseph Joachim, and the celebrated pianist Clara Schumann during their time in Baden‑Baden and Zürich. The work balances personal anecdotes with discussions of his major creations such as the German Requiem, the Horn Trio, and early piano quartets, illustrating how his compositional style evolves while he navigates conducting duties and travel across Europe. The tone remains intimate, offering listeners a sense of the daily rhythms, artistic debates, and quiet moments that defined his middle years.
Language
en
Duration
~11 hours (669K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Linda Cantoni, Veronika Redfern, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
Sep 27, 2012
Rights
Public domain in the USA.
A gifted English pianist who became one of Johannes Brahms’s close students and early biographers, she helped bring his life and music to a wider public. Her writing blends firsthand musical insight with the perspective of someone who knew her subject personally.
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