The Law's Lumber Room

audiobook

The Law's Lumber Room

by Francis Watt

EN·~2 hours·13 chapters

Chapters

13 total
1

PREFATORY

2:52
2

BENEFIT OF CLERGY

8:51
3

PEINE FORTE ET DURE

15:41
4

A PASSAGE IN SHAKESPEARE

9:26
5

THE CUSTOM OF THE MANOR

17:55
6

DEODANDS

8:01
7

THE LAW OF THE FOREST

11:31
8

PAR NOBILE FRATRUM

9:18
9

SANCTUARY

13:10
10

TRIAL BY ORDEAL

9:08

Description

Step into a surprisingly vivid museum of England’s legal past, where dusty statutes and forgotten customs are brought to life with the curiosity of a collector sifting through an old lumber‑room. From the medieval “Benefit of Clergy,” which once let scribes escape secular courts, to the eerie “Right of Sanctuary” that turned churches into temporary prisons, the book paints each practice with clear detail and thoughtful humor. Readers will encounter strange rituals such as trial by ordeal, wager of battle, and the grim press‑gang, all explained without pretension, showing how law once blended superstition, power, and daily survival.

The narrative threads these antiquated ideas together, revealing how reforms over centuries turned harsh medieval rules into the more rational system we recognize today. While the subject may seem grim, the author balances stark examples of cruelty with the occasional oddity that still echoes in modern legal language. Those curious about the foundations of contemporary law will find the journey both enlightening and oddly entertaining.

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Details

Language

en

Duration

~2 hours (132K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by deaurider, David E. Brown and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2017-10-09

Rights

Public domain in the USA.

About the author

FW

Francis Watt

1849–1927

A Scottish barrister with a storyteller’s eye, this writer turned legal oddities, city history, and literary lives into lively, readable books. His work moves easily between Edinburgh, the Inns of Court, and the world of Robert Louis Stevenson.

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