
THE IVORY WORKERSOF THEMIDDLE AGES
PREFACE
BIBLIOGRAPHY
CHAPTER ICONSULAR AND OTHER SECULAR DIPTYCHS
CHAPTER IILATIN AND BYZANTINE IVORIES
CHAPTER IIILOMBARDIC, ANGLO-SAXON, CARLOVINGIANAND GERMAN IVORIES
CHAPTER IVROMANESQUE AND GOTHIC IVORIES
LIST OF DIPTYCHSFROM MOLINIER
LIST OF MUSEUMS
INDEX
This compact study opens a window onto the world of medieval ivory carving, tracing the craft from its early Byzantine roots through the flourishing workshops of Western Europe. The author maps out how religious diptychs, ceremonial combs, and regal thrones were shaped by skilled hands, revealing the cultural and devotional purposes that guided their creators. Along the way, readers meet intriguing pieces—a sixth‑century ivory throne, Anglo‑Saxon gospel covers, and a French fourteenth‑century bishop’s crozier—each illustrating the evolving styles and techniques of the period.
The book is richly illustrated with clear photographs of more than thirty artifacts, letting listeners visualize the delicate relief work and intricate motifs described in the text. Careful references to museum collections and earlier scholarship give a solid foundation for anyone wishing to explore ivory art further. By blending concise narrative with vivid visual examples, the work invites curiosity about a craft that once adorned both sacred spaces and noble courts.
Language
en
Duration
~3 hours (202K characters)
Series
Handbooks of the great craftsmen
Publisher of text edition
Project Gutenberg
Credits
Produced by deaurider, Paul Marshall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2019-01-22
Rights
Public domain in the USA.
1870–1959
Best known for a classic study of medieval ivory carving, this early 20th-century writer helped make a specialized corner of art history approachable for general readers.
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