
audiobook
\[Transcriber's Note: The layout of this document, especially serif vs. sans-serif, boldface, indentation and size are an accurate representation of the typography used in the original. The author is known for eclectic choices in these respects.\]
The Inner Sisterhood
—A Social Study in High Colors— - by Douglass Sherley
I II III IV V VI VII
Just After the Ball: - Miss Kate Meadows. - Robert Fairfield, Lover: - Miss Belle Mason. - The·Buzz÷Saw·Girl: - Miss Alice Wing. - Flirting for Revenue Only: - Miss Rose Clendennin. - Mother and Daughter: - Miss Sophia Gilder. - A CASE OF COMPOUND FRACTURE: - Miss Mary Lee Manley. - Platitudes and Pleasures: - Miss Lena Searlwood.
I
Just After The Ball.
II
Robert Fairfield, Lover.
III
Through the eyes of a young woman returning from a ball, the story opens with a vivid blend of nervousness and self‑scrutiny. She describes the quiet terror of being alone at night, the ritual of fixing her hair, and the careful calculation of her appearance in a world that prizes charm over true beauty. In this opening, her voice captures both the playful gossip of her social circle and the deeper uncertainty that underlies every polite smile.
The narrative unfolds as a series of intimate sketches, each centered on a different member of an informal sisterhood. As they mingle at receptions, musicales, and drawing‑room conversations, the women reveal how they balance ambition, love affairs, and the pressure to maintain a flawless façade. The book offers a nuanced portrait of late‑Victorian society, where bright colors of fashion mask the quiet struggles for identity and belonging.
Full title
The Inner Sisterhood A Social Study in High Colors A Social Study in High Colors
Language
en
Duration
~1 hours (100K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Kentuckiana Digital Library, David Garcia and the PG Online Distributed Proofreading Team at https://www.pgdp.net/
Release date
2005-02-26
Rights
Public domain in the USA.
1857–1917
A Louisville-born writer, journalist, and poet, he moved between newspaper work, self-published fiction, and the literary lecture circuit. His career took on new visibility when James Whitcomb Riley brought him into a national touring company in the 1890s.
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