The French Impressionists (1860-1900)

audiobook

The French Impressionists (1860-1900)

by Camille Mauclair

EN·~3 hours·15 chapters

Chapters

15 total
1

THE FRENCH IMPRESSIONISTS

0:01
2

(1860-1900)

0:01
3

CAMILLE MAUCLAIR

0:23
4

AUTHOR'S NOTE

0:58
5

LIST OF ILLUSTRATIONS

1:42
6

NOTE TO LIST OF ILLUSTRATIONS

2:54
7

I. THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME

17:54
8

II. THE THEORY OF THE IMPRESSIONISTS—THE DIVISION OF TONES, COMPLEMENTARY COLOURS, THE STUDY OF ATMOSPHERE—THE IDEAS OF THE IMPRESSIONISTS ON SUBJECT-PICTURES, ON THE BEAUTY OF CHARACTER, ON MODERNITY, AND ON STYLE

21:29
9

III. EDOUARD MANET: HIS WORK, HIS INFLUENCE

23:22
10

IV. EDGAR DEGAS: HIS WORK, HIS INFLUENCE

21:19

Description

A vivid portrait of the French Impressionist movement unfolds, guiding listeners from its daring beginnings in the 1860s through its flourishing turn of the century. The narrative introduces the key figures—Renoir, Monet, Manet, Degas, and their contemporaries—while illuminating how their daring brushwork and fascination with light reshaped the art world. Interwoven with lively anecdotes, the book captures the tension between avant‑garde creators and the conservative salons that initially rejected them.

What sets this volume apart is its treasure trove of fifty meticulously reproduced engravings, drawn from the private collection of the legendary dealer Durand‑Ruel. These images, described with insightful commentary, let listeners envision the very canvases that sparked controversy and admiration alike. The author also maps the critical landscape, naming the writers and exhibitions that championed—or challenged—the new style, offering a nuanced snapshot of an era where art, commerce, and public taste collided.

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Details

Language

en

Duration

~3 hours (185K characters)

Publisher of text edition

Project Gutenberg

Release date

2004-11-15

Rights

Public domain in the USA.

About the author

Camille Mauclair

Camille Mauclair

1872–1945

A restless voice in French letters, he moved easily between poetry, fiction, biography, travel writing, and art criticism. His work reflects a wide curiosity about culture and beauty, along with a sharp eye for the artistic debates of his time.

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