
THE FRENCH IMPRESSIONISTS
(1860-1900)
CAMILLE MAUCLAIR
AUTHOR'S NOTE
LIST OF ILLUSTRATIONS
NOTE TO LIST OF ILLUSTRATIONS
I. THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME
II. THE THEORY OF THE IMPRESSIONISTS—THE DIVISION OF TONES, COMPLEMENTARY COLOURS, THE STUDY OF ATMOSPHERE—THE IDEAS OF THE IMPRESSIONISTS ON SUBJECT-PICTURES, ON THE BEAUTY OF CHARACTER, ON MODERNITY, AND ON STYLE
III. EDOUARD MANET: HIS WORK, HIS INFLUENCE
IV. EDGAR DEGAS: HIS WORK, HIS INFLUENCE
A vivid portrait of the French Impressionist movement unfolds, guiding listeners from its daring beginnings in the 1860s through its flourishing turn of the century. The narrative introduces the key figures—Renoir, Monet, Manet, Degas, and their contemporaries—while illuminating how their daring brushwork and fascination with light reshaped the art world. Interwoven with lively anecdotes, the book captures the tension between avant‑garde creators and the conservative salons that initially rejected them.
What sets this volume apart is its treasure trove of fifty meticulously reproduced engravings, drawn from the private collection of the legendary dealer Durand‑Ruel. These images, described with insightful commentary, let listeners envision the very canvases that sparked controversy and admiration alike. The author also maps the critical landscape, naming the writers and exhibitions that championed—or challenged—the new style, offering a nuanced snapshot of an era where art, commerce, and public taste collided.
Language
en
Duration
~3 hours (185K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-11-15
Rights
Public domain in the USA.

1872–1945
A prolific voice of French letters, he moved easily between poetry, fiction, travel writing, biography, and art criticism. His work captures the rich, argumentative world of fin-de-siècle culture, where literature, music, and painting constantly overlapped.
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