The film : $b Its use in popular education

audiobook

The film : $b Its use in popular education

by M. (Maurice) Jackson-Wrigley

EN·~2 hours·9 chapters

Chapters

9 total
1

FOREWORD

1:37
2

AUTHOR’S PREFACE

0:40
3

INTRODUCTION

14:14
4

II EDUCATIONAL

24:58
5

III LIBRARIES AND LITERATURE

46:50
6

V COMMERCIAL ADVERTISING

4:34
7

VI PRODUCTION

20:39
8

VII CONCLUSION

3:15
9

“LIBRARY ADVERTISING”

4:18

Description

In this concise yet persuasive work, the author makes a compelling case for the cinema as a vital tool in modern education. Drawing on observations from American schools—where thousands already boast dedicated film rooms—and personal experience in film production, he outlines how moving pictures can illuminate subjects ranging from geography to natural history. The text balances enthusiasm with practical concerns, addressing issues such as visual health and the need for expert guidance.

Through a blend of philosophical reflections and concrete examples, the book shows how film can capture students' attention more effectively than traditional chalk‑and‑talk methods. It argues that visual storytelling complements oral instruction, fostering curiosity and deeper understanding across scientific, literary, and historical topics. Readers are left with a clear vision of how municipalities and educators might integrate regular screenings to enrich curricula without overwhelming young audiences.

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Details

Language

en

Duration

~2 hours (116K characters)

Series

The Coptic series

Publisher of text edition

Project Gutenberg

Original publisher

London: Grafton & Co., 1922.

Credits

Charlene Taylor, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2023-09-27

Rights

Public domain in the USA.

About the author

M(

M. (Maurice) Jackson-Wrigley

1886–1972

An early writer on cinema’s educational power, this British author argued that film could do far more than entertain. His work captures a moment when moving pictures were just beginning to be taken seriously in schools, libraries, and public life.

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