author
1886–1972
An early film writer and researcher, he explored how cinema could educate as well as entertain. His best-known books look at motion pictures as a modern tool for teaching, libraries, and public culture.

by M. (Maurice) Jackson-Wrigley
Writing in the early decades of the 20th century, Maurice Jackson-Wrigley focused on the growing importance of film at a time when cinema was still establishing its place in everyday life. The work most clearly associated with him is The Film: Its Use in Popular Education (1922), a book that argues for the value of motion pictures in learning and public instruction.
He also co-authored The Cinema: Historical, Technical and Bibliographical (1939) with Eric Leyland, a survey aimed at librarians and students. Taken together, these books suggest a writer deeply interested in film not just as entertainment, but as a serious cultural and educational medium.
Reliable biographical detail about his personal life is limited in the sources I could confirm, so the picture that survives is mainly through his publications. Even so, those works place him among the early writers who treated cinema as something worth studying, organizing, and using to widen access to knowledge.