
audiobook
PREFACE.
ILLUSTRATIONS.
THE CERAMIC ART. - INTRODUCTION.
BOOK I.—NOMENCLATURE AND METHODS. - CHAPTER I. TECHNOLOGY.
BOOK II.—THE ORIENT. - CHAPTER I. EGYPT.
BOOK III.—EUROPE. - CHAPTER I. THE FOUNTAINS OF EUROPEAN ART.
BOOK IV.—AMERICA. - CHAPTER I. SOUTH AMERICA.
The book serves as a compact yet thorough guide to the history and manufacture of pottery and porcelain, distilling a massive scholarly tradition into a clear, reference‑friendly format. By organizing the material in a straightforward sequence, it lets collectors, students, and curious listeners grasp the major milestones, key materials, and basic techniques without getting lost in exhaustive treatises. A truly international scope is offered, with special attention to American sources, manufacturers, and the rich collections that illustrate the art’s worldwide dialogue.
Rich, carefully selected engravings accompany the text, chosen to illuminate the discussion while showcasing a wide variety of wares, from classic porcelain to early earthenware. The author draws on contributions from museums, private collectors, and even diplomatic contacts, providing listeners with vivid visual references that bridge theory and practice. Alongside historic surveys, the book touches on recent artistic innovations and the scientific principles that continue to shape ceramic production today.
Full title
The Ceramic Art A Compendium of The History and Manufacture of Pottery and Porcelain A Compendium of The History and Manufacture of Pottery and Porcelain
Language
en
Duration
~15 hours (909K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2013-07-15
Rights
Public domain in the USA.
Subjects
A curious guide to pottery and porcelain, this little-known writer left behind a detailed survey of ceramic history, materials, and technique that still appeals to readers interested in decorative arts. Her best-known work blends practical explanation with a broad look at how ceramic traditions developed across cultures.
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