
audiobook
by Thomas Whitney Surette, Daniel Gregory Mason
THE APPRECIATION OF MUSIC
CHAPTER I. ELEMENTS OF MUSICAL FORM. - I. INTRODUCTORY.
CHAPTER II. FOLK-SONGS.
CHAPTER III. THE POLYPHONIC MUSIC OF BACH.
CHAPTER IV. THE DANCE AND ITS DEVELOPMENT. - I. MUSICAL CHARACTER OF DANCES.
CHAPTER V. THE SUITE. - I. DERIVATION OF THE SUITE.
CHAPTER VI. THE RONDO.
CHAPTER VII. THE VARIATION FORM—THE MINUET.
CHAPTER VIII SONATA-FORM I. - I. COMPOSITE NATURE OF THE SONATA.
CHAPTER IX. SONATA-FORM II. - I. HAYDN AND THE SONATA-FORM.
This guide invites anyone who enjoys hearing music to move beyond passive listening and discover what makes a melody truly memorable. Written for the curious ear rather than the professional musician, it walks readers through the evolution of musical expression—from simple folk tunes to the grand symphonies of Beethoven—using clear language and carefully chosen listening examples.
Each chapter pairs short excerpts with full‑score pieces, offering step‑by‑step analysis that helps listeners follow the shape of a work without getting lost in technical jargon. The authors encourage active, focused listening, suggesting that even those who cannot play an instrument can still engage deeply through mechanical reproductions. Supplementary reading ideas and classroom‑friendly activities round out the experience, making the book a practical companion for students, teachers, and anyone who wants to join the small but dedicated group of true music lovers.
Language
en
Duration
~5 hours (301K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Andrés V. Galia, Jude Eylander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2018-12-12
Rights
Public domain in the USA.

1861–1941
A thoughtful American music teacher and composer, he spent decades arguing that music should be part of everyday life, not just expert performance. He is especially remembered for founding the Concord Summer School of Music and for writing warmly about how people learn to listen.
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1873–1953
An American composer, critic, and teacher from a distinguished musical family, he wrote in a warm, lyrical style while also shaping musical life through his essays and long career at Columbia University. His work offers a window into early 20th-century American concert music and the ideas that surrounded it.
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by Daniel Gregory Mason

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