
I INTRODUCTION DEMOCRACY AND MUSIC
II RICHARD STRAUSS - I
III SIR EDWARD ELGAR
IV CLAUDE DEBUSSY
V VINCENT d'INDY - I
VI MUSIC IN AMERICA - I
This audiobook surveys the tangled relationship between modern music and the sweeping social changes that reshaped Europe from the eighteenth century onward. It asks whether the rise of democracy sparked new musical ideas or simply ran parallel to an already evolving art form, offering thoughtful conjectures rather than definitive answers. Listeners will hear vivid portraits of the aristocratic patronage that once nurtured the great masters, and how its decline opened the door to a broader, more diverse public.
The narrative then turns to the complex new audience created by industrial capitalism—a mix of newly prosperous workers, an increasingly conspicuous idle rich, and the lingering elite of the past. By tracing how each group’s attitudes toward music differed, the book reveals the cultural frictions that still echo in today’s compositional scene. It invites anyone curious about how politics, economics, and everyday life ripple through the sounds we hear.
Language
en
Duration
~4 hours (282K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Andrés V. Galia, Sarah Pridy, Astronomer, Jude Eylander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2018-02-18
Rights
Public domain in the USA.

1873–1953
Remembered as an American composer, critic, and teacher, he wrote warmly about music while also creating works shaped by the late-Romantic tradition. His background placed him in one of the best-known musical families in the United States, but he built his own reputation through teaching, essays, and composition.
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