The American Missionary — Volume 50, No. 03, March, 1896

audiobook

The American Missionary — Volume 50, No. 03, March, 1896

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

American Missionary Association.

21:16
2

COMMUNICATIONS

0:19
3

DONATIONS AND SUBSCRIPTIONS

0:49
4

FORM OF A BEQUEST.

0:13
5

In Memoriam.

4:14
6

The South.

11:27
7

The Indians. - DI TAPI'O? - BY REV. C. L. HALL.

5:37
8

The Chinese.

5:35
9

WOMAN'S STATE ORGANIZATIONS

8:49
10

RECEIPTS FOR JANUARY, 1986.

56:02

Description

In the spring of 1896 the American Missionary Association took stock of its sprawling network of churches, missionaries, and supporters. The opening pages list a cadre of reverends, trustees, and secretaries who oversaw work from Boston to Chicago, and it explains how donors and volunteers could reach the right office for letters, gifts, or bequests. The tone is practical and earnest, giving listeners a sense of how a national religious society organized its communications and finances at the turn of the century.

The heart of this issue wrestles with a sharp shortfall in contributions, warning that debt is swelling even as the organization strives to keep its missionaries in the field. It recounts recent cuts, the pressure on congregations to give more, and the painful question of whether support can keep pace with the growing need. While acknowledging the urgency, the editorial voice remains hopeful, urging readers to consider what sacrifice is required to sustain the work they cherish.

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Details

Language

en

Duration

~1 hours (109K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Joshua Hutchinson, Karen Dalrymple, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections)

Release date

2007-06-27

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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