
audiobook
by F. T. Marinetti, Bruno Corra, Emilio Settimelli
BIBLIOTECA TEATRALE
MANIFESTO DEL TEATRO FUTURISTA SINTETICO
SIMULTANEITÀ COMPENETRAZIONE
IL TEATRINO DELL'AMORE DRAMMA D'OGGETTI
ANTINEUTRALITÀ COMPENETRAZIONE
VENGONO DRAMMA D'OGGETTI
UN CHIARO DI LUNA COMPENETRAZIONE ALOGICA
LE BASI
LE MANI VETRINA
VERSO LA CONQUISTA
A striking declaration that reimagines the stage as a fast‑moving weapon of cultural urgency, this work captures the fevered spirit of early‑20th‑century Italy on the brink of conflict. Its authors argue that traditional drama—slow, analytical, and rooted in past conventions—has become a stagnant relic, unable to stir a nation poised for war. Instead, they champion a “synthetic” theatre that condenses ideas, emotions, and images into fleeting moments, urging performers to deliver powerful gestures and concise dialogue in seconds rather than minutes.
The manifesto reads like a rallying cry, urging audiences to abandon books and lectures for a kinetic, visceral experience that mirrors the speed and ferocity of modern life. By stripping away excess and embracing brutal brevity, the proposed plays aim to compete with emerging cinema and to ignite a collective, decisive energy among spectators. The result is a provocative vision of theatre that seeks to fuse art with the immediacy of a nation preparing for its greatest challenges.
Language
it
Duration
~1 hours (115K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2015-12-15
Rights
Public domain in the USA.

1876–1944
A fiery poet and provocateur, this founder of Futurism pushed literature toward speed, machinery, and modern life. His work helped define one of the most disruptive artistic movements of the early 20th century.
View all books1892–1976
A restless voice of Italian Futurism, he moved across fiction, poetry, theater, and film with a taste for experiment. Writing under a pen name, he helped push the movement beyond manifesto into strange, vivid storytelling.
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b. 1891
A lively figure in Italian Futurism, this writer helped shape avant-garde theater in the early 1900s. He moved between journalism, manifestos, and drama, leaving behind work tied closely to one of Italy’s boldest artistic movements.
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