Taistelu ja voitto: Kuvaelmia Rooman keisariajalta

audiobook

Taistelu ja voitto: Kuvaelmia Rooman keisariajalta

by Viktor Schultze

FI·~6 hours·5 chapters

Chapters

5 total

E-text prepared by Tapio Riikonen

1:44:16

VIKTOR SCHULTZE

0:04

MARCI. MINICII. TIMINIANI. PROCONSVLIS. FAMILIA. GLADIA. TORIA. PVGNABIT. CARTHAGINE. PR. K. IVNIAS. VENATIO. ET. VELA. ERVNT.

3:33:23

"TENE ME QUIA FUGI ET REVO CA ME IN VIAM QUERQUELANAM AD ZEPHYRINUM DOMINUM MEUM".

51:53

VICTORIA. ANIMA. DVLCIS. IN. PACE: VIVAS. IN. DEO. SEMPER.

9:33

Description

The opening transports listeners to a scorching plain between the towering Atlas and the gray walls of Carthage, where a weary stranger—clad in simple robes and a broad, sun‑shielding hat—finds himself on the brink of an unexpected encounter. An elderly Libyan caretaker greets him with quiet reverence, offering shelter and a chance to rest before the young traveler continues toward the legendary city of Carthage. Their brief exchange reveals a world steeped in ancient customs, where forgotten deities and lingering echoes of past empires shape daily life.

As the narrative unfolds, the visitor’s journey becomes a meditation on identity, hospitality, and the tension between old and new powers that dominate the landscape. Through vivid descriptions of crumbling marble columns, dust‑laden roads and the ever‑present heat, the story invites listeners to contemplate the fragile hope of a lone wanderer seeking direction amid a land haunted by its own legends. The early passages set a tone of quiet wonder and subtle conflict, promising a rich exploration of the human spirit against a monumental historical backdrop.

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Details

Language

fi

Duration

~6 hours (364K characters)

Publisher of text edition

Project Gutenberg

Release date

Jun 2, 2018

Rights

Public domain in the USA.

About the author

Viktor Schultze

Viktor Schultze

1851–1937

A German church historian and archaeologist, he helped open up the world of early Christian art and burial sites for modern scholarship. His work connected theology, history, and material remains in a way that shaped the young field of Christian archaeology.

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