
audiobook
by Stendhal
SOUVENIRS D’ÉGOTISME
SOUVENIRS D’ÉGOTISME
AVANT-PROPOS
STENDHAL ET LES SALONS DE LA RESTAURATION - I
SOUVENIRS D’ÉGOTISME - CHAPITRE PREMIER
CHAPITRE II
CHAPITRE III
CHAPITRE IV
CHAPITRE V
CHAPITRE VI
This volume brings together Stendhal’s later autobiographical notes and a cache of previously unpublished correspondence, filling the gaps between his early memoirs and his celebrated novels. The texts, drawn from the original manuscript in Grenoble, reveal a decade of the writer’s life—1821 to 1830—when he navigated the bustling salons of Restoration France, negotiated personal ambitions, and refined the keen observations that would later define his fiction. Readers hear the same paradoxical wit and self‑reflective humor that pulse through his published works, now placed in the raw context of his own recollections.
Beyond the factual chronicle, the letters expose Stendhal’s delicate balance between satire and sentiment, offering glimpses of his fleeting loves, his critical eye on social conventions, and the literary debates that animated his circles. Listeners will sense the tonal shifts from playful irony to quiet melancholy, a soundtrack to the restless curiosity that drove his novels. This collection invites a deeper, more intimate conversation with the mind behind The Red and the Black and The Charterhouse of Parma.
Full title
Souvenirs d'égotisme autobiographie et lettres inédites publiées par Casimir Stryienski autobiographie et lettres inédites publiées par Casimir Stryienski
Language
fr
Duration
~7 hours (450K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2015-01-17
Rights
Public domain in the USA.

1783–1842
Best known for The Red and the Black and The Charterhouse of Parma, this sharp-eyed French novelist helped shape the modern psychological novel. His fiction is admired for its irony, restless energy, and unusually close attention to ambition, love, and self-deception.
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